02 August 2025

Systemic Functional Mythology: A Tool for Conscious Cultural Re-Making

Myth, at its core, is the symbolic interface between human consciousness and the cosmos. It's the vehicle through which cultures process existential questions, express fundamental values, and adapt to the ever-changing nature of life. What if myth were not just a relic of past meaning systems but an active, conscious tool for re-making culture, adapting to the challenges and crises of the present?

This is where Systemic Functional Mythology comes into play. A systemic functional approach offers a framework not just for interpreting myth but for participating in its evolution. Through the lens of Systemic Functional Linguistics (SFL), myth is a system of meaning-making with its own stratification, metafunctions, and potential for instantiation. This approach does not seek to return to some pre-modern golden age or escape into fantasy, but rather to recognise the fall into symbol as the beginning of a long ascent, one in which meaning is made, not found.

Stratification: Meaning and Expression in Myth

In SFL, the idea of stratification refers to the organisation of semiotic systems into hierarchies of symbolic abstraction. The same principle applies to mythic systems. In language, we have meaning (semantics), wording (lexicogrammar), and sounding (phonology). Myths operate similarly:

  • Content plane: The realm of mythic meaning—archetypes, symbolic patterns, cosmological visions. This is where myths do their ideational work, construing a symbolic representation of reality.

  • Expression plane: The forms myths take—rituals, stories, visual symbols, masks, chants, architecture. These are the channels through which myths make meaning available to experience, and how they enact transformation.

A myth is not simply a collection of stories; it is a dynamic, evolving system of meaning, in which what a myth means (its symbolic charge) and how that meaning is expressed (in cultural forms) are distinct but functionally related.

Metafunctions in Myth

SFL identifies three key metafunctions that guide how meaning is made across any semiotic system. These can be applied to myth as well:

  • Ideational metafunction: Myth construes a symbolic representation of reality, whether it's cosmic structure, moral order, or life phases. It answers the question: What is reality?

  • Interpersonal metafunction: Myth places the subject within the social world, connecting them to power, community, the divine, and the self. It answers the question: How do we relate to each other, to the divine, and to our own identity?

  • Textual metafunction: Myth organises these symbolic elements into coherent, communicable forms, such as narratives, rituals, and visual schemas. It answers the question: How do we tell the story of our lives and the cosmos?

The myth of the hero’s journey is a clear example of this: It is ideational (depicting transformation), interpersonal (calling the individual to self-overcoming), and textual (following a structured narrative of departure, initiation, and return).

Instantiating Myth: From Mythic Potential to Mythic Instance

Just as language has a meaning potential that is instantiated through speech and writing, myths also have a reservoir of possible meanings—symbols and archetypes that take on specific meanings depending on the cultural and personal contexts in which they are enacted. A single mythic symbol—say, the serpent—has a range of potential meanings. In one mythic context, it may symbolise chaos; in another, it may symbolise renewal. The instance of the serpent in a particular ritual, narrative, or painting determines its specific meaning in that moment.

This process of instantiation allows a culture or individual to actualise mythic potential into particular symbolic acts. This is how myth lives and evolves: through its re-enactment, reinterpretation, and reintegration into new cultural contexts.

Myth as a Response to Semiotic Crisis

When a culture's symbolic resources fail to integrate experience across the three metafunctions—ideational, interpersonal, and textual—it enters a semiotic crisis. This breakdown may happen when rationalist systems prioritise the ideational at the expense of interpersonal connection, or when postmodern fragmentation leaves behind an incoherent symbolic system. In these moments of crisis, myth is not merely a comfort—it restructures meaning itself. Myths respond to these breakdowns:

  • Ideational anchoring: offering a cosmology in a fragmented world.

  • Interpersonal recalibration: reimagining new roles, ethics, and identities.

  • Textual reorganisation: creating new forms of narrative, ritual, and symbolic pattern.

In this way, myth doesn’t just reflect the world—it reorganises the symbolic ecosystem, offering new structures for understanding and integration. It actively remakes cultural meaning in response to crisis.

Mythopoesis as Metasemiotic Work

The myth-maker, much like the poet in Campbell’s view, is not simply a storyteller but a designer of symbolic systems. Mythopoesis is metasemiotic work: the process of reshaping the very conditions of meaning-making.

To engage in mythopoesis today is to:

  • Identify points of metafunctional breakdown in society.

  • Draw from the deep well of symbolic resources available in the cultural psyche.

  • Actualise new patterns that harmonise experience across functions.

  • Ensure these patterns are textualised in accessible, transformative forms.

This becomes a tool for conscious cultural evolution. It recognises that we are not merely the inheritors of myths; we are their future authors. In myth, we find not a return to innocence, but an ascent toward conscious integration, where meaning is constructed and continually reconstructed at ever higher levels.

Why It Matters

Systemic Functional Mythology does more than offer a framework for interpreting myths—it challenges us to engage with them as evolving systems of meaning. By avoiding the literalism of symbolic interpretation and foregrounding the symbolic function, we can see myth as a living, evolving semiotic system.

Through SFL, we understand myth as:

  • Stratified: Meaning is organised hierarchically, from the symbolic core to its outer forms.

  • Multifunctional: Myths operate across ideational, interpersonal, and textual metafunctions.

  • Instantiable: Myths live and evolve through reinvention and reinterpretation.

By recognising these aspects of myth, we reclaim its value not as primitive superstition but as one of the most sophisticated systems for mediating human meaning in all its complexity.

01 August 2025

Symbolic Evolution: Systems That Evolve Toward Higher Synthesis

The symbolic journey—fall, descent, fragmentation, reintegration—is not limited to individual consciousness. It plays out on civilisational scales. And if we adopt a Systemic Functional perspective, we can begin to trace how semiotic systems themselves evolve, expanding their meaning potential in response to the pressures of experience.

1. Evolution of Meaning Systems

Meaning is not static. Just as languages change, the symbolic resources available to a culture shift over time—through innovation, disruption, and reinterpretation.

  • Orality relies on narrative memory, ritual repetition, and communal performance.

  • Literacy introduces abstraction, individuation, and the potential for systemic reflection.

  • Digital media opens up networks, multiplicities, fragmentation—and, paradoxically, recombination.

Each stage does not erase the former; it re-stratifies it. Like geological layers, the semiotic resources of the past persist and are drawn upon by later forms.

From an SFL viewpoint, this is an expansion in metafunctional capacity: systems of ideational, interpersonal, and textual meaning become more differentiated and more dynamic. Art, myth, and science all participate in this expansion.

2. Art and Myth as Engines of Semiotic Evolution

Great artworks and transformative myths do not merely express meaning. They reconfigure the symbolic system.

  • Picasso did not just paint new images—he invented a new mode of visual grammar.

  • The Gospels did not just tell stories—they reframed the structure of sacrifice and salvation for a new moral cosmology.

  • Romanticism reintroduced the mystical, the sublime, and the irrational to counterbalance Enlightenment rationalism—dialectical rebalancing through aesthetic form.

The function of the poet or shaman is not to preserve the old system but to press it toward new integrations.

3. Technology as Mythic Material

As Campbell hinted in his later years, technology is now the outer body of the collective psyche. Its tools, networks, and interfaces are not neutral—they extend and reshape the very structures of meaning.

  • AI, as a symbolic processor, raises questions of agency, voice, authorship, and consciousness.

  • Digital culture has blurred the boundaries between self and other, real and virtual, image and referent.

  • Global communication forces mythic systems into contact and contest.

But here too, symbolic evolution is possible. If the descent into complexity threatens fragmentation, the response is not nostalgia but mythopoetic synthesis: new stories, new symbols, new rituals that can hold together the plural orders of contemporary experience.