Information, Order, and the Meaning of Disorder
In the classical picture of the cosmos, entropy is the villain: the great eroder of structure, the endgame of time, the measure of inevitable decay. From the heat death of the universe to the coffee cooling on your desk, entropy seems to mark the fading of form, the triumph of chaos.
But in a relational ontology, entropy is not the opposite of meaning. It is the condition for meaning—not the negation of structure, but the potential from which structure emerges.
Shannon’s Signal: Information and Choice
Let’s begin with Claude Shannon, the father of information theory. In Shannon’s model, information is measured by uncertainty: the more possible messages there are, the more information is conveyed when one is selected.
Information, in this model, is not clarity—it is choice. It is the actualisation of one meaning among many potentials.
Entropy as a Relational Constraint
Entropy, then, is not simply disorder—it is the distribution of potential states. It is what makes selection meaningful. Without it, there is no choice, no emergence, no meaning.
A newborn mind, flooded with sensory data, faces a field of maximal entropy. But through recursive construal—pattern recognition, categorisation, language—the system reduces entropy locally. It creates structure by relating difference.
The Cosmos as a Relational Gradient
Energy disperses, but the gradient itself becomes fertile ground for emergence. Systems evolve that temporarily arrest entropy—trees, brains, cultures—by channelling flows of energy and information.
In relational terms, entropy is not decline. It is relational openness—a field of potentiality within which instances can emerge.
Pattern and Noise: A Symbolic Lens
From a symbolic perspective, entropy is semiotic noise: the possible meanings not yet selected, the unstructured field awaiting construal. Information becomes meaningful when a relation is made—when the noise is patterned, interpreted, symbolised.
The Sacred Tension: Constraint and Creation
Every act of creation is an act of constraint: of selecting, shaping, limiting the field of potential. But constraint is not suppression—it is the gesture of meaning-making. A sculpture is made not by adding clay, but by removing it.
The artist does not fight entropy. The artist collaborates with it.
In the heat of a star, in the folds of a brain, in the entropy of language and life, we find the same dynamic: potential becoming actual through relation.
Closing Spiral: Entropy as Sacred Ground
We began with chaos. We end with meaning.
Entropy, in a relational ontology, is not the absence of story. It is the ground of storytelling—the field from which all construal springs. It is not what the cosmos must overcome, but what the cosmos needs in order to become.
In this light, entropy is not the end. It is the opening.
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